Happy New Year from Art of the Spirit

The Fountain
How well I know that flowing spring
     in black of night.

The eternal fountain is unseen.
How well I know where she has been
     in black of night.

I do not know her origin.
None. Yet in her all things begin
     in black of night.

I know that nothing is so fair
and earth and firmament drink there
     in black of night.

I know that none can wade inside
to find her bright bottomless tide
     in black of night.

Her shining never has a blur;
I know that all light comes from her
     in black of night.

I know her streams converge and swell
and nourish people, skies and hell
     in black of night.

The stream whose birth is in this source
I know has a gigantic force
     in black of night.

The stream from but these two proceeds
yet neither one, I know, precedes
     in black of night.

The eternal fountain is unseen
in living bread that gives us being
     in black of night.

She calls on all mankind to start
to drink her water, though in dark,
     for black is night.

O living fountain that I crave,
in bread of life I see her flame
     in black of night.
St. John of the Cross

Wow!I leave you with the beautiful poem describing the fecund stream of Divine Creativity. (And he describes it in feminine terms!)My wish for you for the New Year: May you be blessed with deep connection to this stream, may your life and work abound with creativity, growth and love.Thanks for reading this year. See you in 2008!-----------------------------I don't believe in luck, but I'm going with this anyway! 8 is considered an extremely lucky number in China so this is going to be a very lucky year. (Every little bit helps, right?)

The Feminine Aspect of the Divine

Since yesterday I quoted a mystic who has such a strong sense of the masculine aspect of God, I thought a little balance was in order:

God is a Woman,
I am Her doll.
She is my Love,
She is my All.
-Sri Chinmoy

I have often talked here about my sense of the creative nature of God in feminine terms. I have spoken of the artist’s need to enter into the Womb of God, in order to access Divine creativity. This Womb is a state of pre-Being and is described by Plotinus as “the One”. His use of the term “the One” is wonderful because it is gender neutral. The ultimate act of creativity is when the One emanates or births, Being, everything that is. If an artist can tap into this eternal process, it will add untold power and healing potential to their works.

Often as I write here, I question my use of the word “God” as excessively limiting. I love Eckhart's admonishment to discard “God” as an idea to allow something greater than we can conceive to connect with us. There is an interesting post on Tim Victor's blog discussing this very problem. He suggests a term “Godde” as a combination of God and Goddess. I am considering adopting it but it still feels too limiting to me. When I pray, I always say God/Goddess/All That Is, but this may be too cumbersome for writing purposes.

All human definitions and description of the Divine are so very limited, but it concerns me that we limit ourselves unnecessarily by giving God a gender attribute. Of course the Divine has a glorious masculine aspect, this is Being, the active principle. But let us not cut ourselves off from the Womb and stillness.

I’d love your thoughts on the terms you use for the Divine.

Behold, Mary
,you who increase life,
who rebuilds the path,You who confused death
and wore down the serpent,To you Eve raised herself up
,her neck rigid with inflated arrogance.You strode upon this arrogance
while bearing God's Son of Heaven,
through whom the spirit of God breaths.O gentle and loving Mother,
I behold you.For Heaven released into the world
that which you brought forth.This one,
through whom the spirit of God breaths.Glory to the Father, and the Son and the Holy Spirit.And to this one,
through whom the spirit of God breaths.
-Hildegard of Bingen

----------------------------------A bit of good news: Heather's Poor Excuse is back up and running.

Art of the Spirit Site Revisions & New Mystic

A bit of business and then some beauty.

------------------------------------This week, I added a tag cloud to my sidebar. Over the next few days I'm going to be working on tagging and recategorizing my posts to optimize searching and to hopeful make them more useful. This shouldn't effect my web readers, but my feed subscribers may get some reposts. Sorry for any inconvenience, but I think it will make the the overall site much stronger!

------------------------------------I discovered a new mystic this week: Fakhruddin 'Iraqi, a 13th century Sufi from Persia. His book is called Divine Flashes. I love this name because this how making art occurs for me, as a Divine flash. I'll have much more once I finish reading. But let me share this, a beautiful quote on the idea that there is nothing but God (I know I need to find more mystics who recognize the feminine aspect of the Divine!):

Pardon me this innovation, revealing such secrets. Remember: He Himself spoke TruthHe Himself listened.He Himself showed Himself

He Himself saw.

Junyard said once, "For thirty years now I've been conversing with God, yet people seem to think I'm talking to them!" Through the ears of Moses, He heard Himself speak with the flame-tongue of the Bush:

He speaks
He listens
you and I
but a pretext.

Illness & the Divine

You are in love with me,
I shall make you perplexed.
Do not build much, for I intend to have you in ruins.
If you build two hundred houses in a manner that the bees do;
I shall make you as homeless as a fly.
If you are the mount Qaf in stability.
I shall make you whirl like a millstone.
-Rumi

I spend a lot of time with kids. It’s wonderful and difficult at the same time. Children are brutally honest. As I’ve mentioned before, I have scleroderma. This condition has caused my hands & face to contract. It has also caused my jaw to come out of alignment so that my teeth do not meet up properly. In short, I look strange. This doesn’t usually bother me because I don’t think about it. That fact that my hands don’t open doesn’t really affect my life much except for a few things I’ve had to give up: piano, knitting & a few miscellaneous activities. Sometimes when I see a picture of myself from long ago I’m sad,Anyway my point is, I am who am I regardless of my what I look like. There are some people who are perfectly gorgeous in everyway and are miserable. But that’s not me, I’m deformed but happy. But when I get around kids and they ask me why I look funny it does upset me because it’s a shock. I don’t remember I’m strange because I never think about it. I think this is God’s way of tempering me like a sword, throwing me into the fire to make me stronger.To truly reflect the Divine in this world, we must learn to be present in every moment. We must be totally in the physical world without controlling it. It’s amazing how much I want to control the world. I want my face back, I want my hands. But I know that is just me controlling the flow of Divinity in this word. I won’t be a dam, I wish to be an open well, a channel between the ocean & the land. Clearing this channel takes letting go of everything I think I am.

Thank you hands that contract so I may expand
Thank you jaw that hangs open so I must speak
Thank you feet that ache so I must stay still
Thank you heart that weathers the storm so I may be washed clean
Thank You again and againThank You
-Sybil Archibald

Happy Holidays from Art of the Spirit

I have been neglecting my blog a bit this week in all the holiday madness. Thank you all for reading and I wish you the most wonderful holiday season. I’ll be back full force after Christmas. Until then I leave you with this optimistic thought from Dante:

This mountain of release is such that the
Ascent’s most painful at the start, below:
The more you rise, the milder it will be.
And when the slope feels gentle to the point that
Climbing up sheer rock is effortless
As though you were gilding downstream in a boat,
Then you will have arrived where this path ends.
-Dante

I have certainly found Dante's words to be true. I began my life in great difficultly and although my circumstances seem more trying now, traveling my path has trained me and made each step forward easier than the last.

May this season bring you deep connection to those you love.

The Spiritual Earth

The greatest spiritual crisis facing humanity today is rectifying our relationship to the Earth. Sadly, our culture has taught us that physicality and spirituality are incompatible. Thomas Berry, an amazing contemporary theologian, describes our collective state like this:

The earth process has been generally ignored by the religious-spiritual currents of the West. Our alienation goes so deep that it is beyond our conscious mode of awareness. While there are tributes to the earth in the scriptures and in Christian liturgy, there is a tendency to see the earth as a seductive reality, which brought about alienation from God in the agricultural peoples of the Near East. Earth worship was the ultimate idolatry, the cause of the Fall, and thereby the cause of sacrificial redemption by divine personality. Thus, too, the Christian sense of being crucified to the world and living only for the savior. This personal savior orientation has led to an interpersonal devotionalism that quite easily dispenses with earth except as a convenient support for life.

My interest in spirituality and mysticism lies primarily in the via negativa. I’m here to tell you that the via negativa and physicality, the Earth, are compatible. In fact they are integral to one another.The mystic who embraces the via negativa tells us that God is unknowable, greater than anything our mind can conceive. We must therefor remove our mind from the equation, releasing all our ‘ideas’ of God and surrender our need to control. We must surrender any limits that our small minds might place on the unlimited Divine. We must not even will to will ‘God’s’ will.Because this path often requires a withdrawal in silence, it is falsely thought of as an escape from the world. It is not an escape from material reality; rather, it is a complete surrender into it. God and material reality, our Earth, are inseparable. Naturalist John Muir, though not a practitioner of the via negativa can still help us begin to understand the fundamental link between Earth and God.

These blessed mountains are so compactly filled with God's beauty,no petty personal hope or experience has room to be . . . . the wholebody seems to feel beauty when exposed to it as it feels the campfireor sunshine, entering not by the eyes alone, but equally through allone's flesh like radiant heat, making a passionate ecstatic pleasureglow not explainable. One's body then seems homogeneousthroughout, sound as a crystal.- John Muir

The Franciscan mystic Bonaventure (13th century) described all of creation as a vestige, a footprint, of God. Plotinus (3rd century CE) tells us that God emanates form, creation, without ceasing. Eckhart (14th century) describes God as self-generating, creating without cease. He believes that there was a sort of womb of God which he calls “the Abyss of God” which “… remains forever unique, uniform, and self-generating.” The practitioner of the via negativa seeks entrance to this womb, but it is with the understanding that they will not stay there in the place of no thing, they cannot. This womb is a place of constant birthing, of constant creation. By returning to this place, the mystic is “decreated” (see Tauler) and created at once. There is nothing that is created that is not the Divine. Sufi mystic Sheikh Nur Al Jerrahi (Lex Hixon) of blessed memory, puts this beautifully:

The heart is the spring at the center of a clearing within the uncharted forest of creation. Here, what is human, irradiated by Divine Love, transforms into what is Divine. There is nothing other than perfect humanity-which is simply the conscious realization that God alone exits. (p.372)

God alone exists, thus Earth, rain, illness, grass, everything is God. Eckhart also confirms this view: “Ego, the word ‘I’ is proper to no one but God alone in his uniqueness.”If God alone exists, that means that everything that is is God, Being. Thus we do a deep disservice to ourselves and to God by denying our relationship to the Earth. As Thomas Berry says,” Not to recognize the spirituality of the earth is to indicate a radical lack of spiritual perception in ourselves.” Berry goes on the say that:

We need to understand that the earth acts in all that acts upon the earth. The earth is acting in us whenever we act. In and through the earth spiritual energy is present. This spiritual energy emerges in the total complex of earth functions. Each form of life is integrated with every other life form.

Our very spiritual nature is dependant on our embrace of the Earth. By denying it, we deny ourselves and the Divine. Hildegard of Bingen tells us that creation is linked to viriditas, a term which Matthew Fox translates roughly as greening power. Hildegard says that “the word is all verdant greening, all creativity.” Hildegard understands that God is fundamentally creative and the material and the Divine are fused because of the act of creation.

There is no creation that does not have a radiance. Be it greenness or seed, blossom or beauty, it could not be creation without it.

As an artist, the act of creation is especially present for me. But it is there in every moment of every life, not just the artist’s, if we allow it. Humanity has but to step out of the way and let the unceasing creativity of the Divine flow though us. Stepping out of the way means letting go of control. Period. We cannot say ‘I’ll let God direct my life” while still draining and destroying the Earth, because God is the Earth. God is alone, there is nothing which is not God. While we fight for control of our planet, we dam up the joyous flow of Light and Creativity into the world. For us to become “all verdant and greening” we need do nothing but accept what is, our physicality and deep spiritual connection to the Earth. I leave you with the words of biologist Elisabet Sahtouris who has worked to heal the divide between science and religion:

Our human task now is to wake up and recognize ourselves as parts or aspects of God-as-Nature and behave accordingly. All are One, all harm harms each of us, all blessings bless each of us.[Speaking to a congregation] I urged them to occasionally see themselves as the creative edge of God (a phrase I learned from a dear friend) -- as God looking out through their eyes, acting through their hands, walking on their feet, and to observe how that changed things for them…

Note: Over the next few weeks I will be adding a page to this site entitled Earth, with more views and resources on this line of thinking.

Healing the Earth: The Calling of the Spiritual Artist?

Yesterday I spoke at length about the importance of a spiritual artist merging the physical and spiritual worlds in the act of creation. All art springs from the fecund stream of Divine creativity. I also spoke of the sacred principle “as above, so below.” This principle basically means that everything is an echo of the Divine.In the figure of Jesus, God as revealed many things, not the least that Divinity and physicality can be merged. Whether you believe in Jesus or not, the symbol is a potent one. I am not suggesting that an artist can bring full Divinity into their work, but I am suggesting that Jesus is the macrocosm and art is the paler, yet important, microcosm, the echo for integrating the physical & spiritual.This is why the Earth becomes so important. As long as we fool ourselves into thinking that anything we do is separate from the Earth, was cannot bring God here. If artists see the ideas in their work as more important than their physical execution, God is lost. This is why, in my opinion conceptual art fails so radically.In our society we have forgotten that everything we use is a fruit of the Earth. Perhaps it is easy to grasp that eggs come from chickens, but what of paint in tubes, plastic boots, or children’s toys? Let’s stay with the artist. How many artists know the source of their own paint? Does anyone realize that watercolor paint sticks to the page because of tree sap or that true ultramarine blue come from crushed stones? (More on this here.)

An artist must fully accept and embrace physicality. This is almost an impossibly hard task because by doing so we become confronted with the brokenness of our planet. To bring God into physicality through the act of creation is an act of healing. It is no more or less significant than any act of healing. It is only our egos which put a value judgment on it: “It’s only a painting, what can it possibly matter?” Each piece of art is but a grain of healed sand, but sand can pile up as anyone who lives near the beach can tell you. An artist must be content to labor at thier Divinely given task. To be an agent of healing requires nothing less than complete abandonment of self will and trust in the Divine steam of creativity which flows through us. As artists, we are called to heal the Earth.My next post will be about how some mystics view of the earth and healing. In the meantime checkout these amazing posts on Earth & Spirituality:

Gartenfische (of course!)

Sound and Silence(This starts out about Halloween, but keep reading, it’s worth it)

Art & The Physical

Making art is a physical act with physical outcomes. The crux of the problem is how to join the physical and spiritual worlds. How do we bring the sacred into physical form and why?I am deeply influenced by the ideas of early alchemists who sought to purify matter. Most people have heard of how alchemists looked for the philosopher’s stone, an elixir, which would transform base impure metals such as lead into gold. They described their quest as perfecting or healing matter. Gold, the purest metal, a symbol of the Divine on earth was not the true goal of an alchemist. Alchemists believed in the sacred principle “as above, so below” as written in the Emerald Tablet. As the alchemist purified matter externally, they believed they were making corresponding internal changes to the own souls. Their true goal was spiritual perfection & union with God.The same principle is at work when an artist creates. Artwork manifests the spiritual changes occurring within the artist as they create. All creativity is ignited from the same flame, tapped from the same eternal well. By creating, artists contact & connect with their source and that fundamentally changes them. Why do you think so many artists turn to drink and flirt with madness? This connection with our source is awesome and can be overpowering and painful. Artists don’t need pain and suffering to create, but most of us are so closed off from our Divine source that when we access it, the pain of our separation crashes down on us in a crushing blow. It’s not the pain an artist needs to create, it’s the pain that comes with the act of creation.However, if an artist or mystic continues to seek God eventually they become tempered like a sword in the fire and can bear more closeness with less pain. When the artist learns to allow the fecund stream of Divine creativity to flow through them with out expectation or control, the artwork which is created resonates with God. This artwork becomes a pivoting point from this world to the next. But the goal is not to escape the physical and return to God, it is to join the two worlds as one. Art can provide a powerful experience of the Divine in a way few other things can.Sister Wendy has a really interesting passage in her book The Mystical Now: Art and the Sacred (Thanks John for pointing it out to me!):

GK Chesterton, mourning our state as fallen creatures, ego-lovers…explained: ”We have forgotten who we and what we are.” And art, he said, ”makes us remember that we have forgotten.” This is painful. It is also our best means apart from direct contact with God, of rediscovering that interior integrity. All great art, being spiritual, both grieves over and celebrates “what we are.” It needs no religious iconography for this…(p. 9)

She goes on to say that this is why “so many people unconsciously fear and resist art.” It is not the fear of art, it is the fear of God.I think it is clear from what I have said, that artists have a responsibility for the physical nature of what they create. Elsewhere, I’ve discussed the artist’s responsibility to the Light, to choose to be a vessel for light and good in this world. But this is slightly different. Artists also have a responsibility to the material world. As the alchemists did with metals, the artist purifies matter in the act of creation. Our responsibility is nothing less than to be active participants in healing the earth. My next post will clarify this in further.

Spiritual Guidance

I missed etching again today because I wasn’t feeling well. Sometimes it’s really hard to accept the fact that I’m not in charge of my own life. I know I never was- control is just an illusion. I am receiving extensive spiritual training in how to follow God’s will. It’s my own version of a convent but instead of a Mother Superior I have scleroderma to guide and teach me.

The Song of Bareness

A cantilena formerly ascribed to Johannes Tauler 14th century German Mystic:

I will sing of bareness a new song,
for true purity is without thought.
Thoughts may not be there,
so I have lost the Mine:I am decreated.
He who is unminded has no cares.
My unevenness no longer causes me to err:
I am as gladly poor as rich.
I want nothing to do with images,
I must stand free of myself:I am decreated.
He who is unminded has no cares.
Would you know how I escaped the images?
I perceived the right unity in myself.That is right unity
when neither weal nor woe displaced me:I am decreated.
He who is unminded has no cares.Would you know how I escaped the mind?
When I perceived neither this nor that in myself,
save bare divinity unfounded.
then I could not longer keep silent, I had to tell it:
I am decreated.
He who is unminded has no cares.
Since I am thus lost in the abyss
I no longer wish to speak, I am mute.
The Godhead clear has swallowed me into itself.
I am displaced.
Therefore the darkness delighted me greatly.
Since I have thus come through to the origin,
I may no longer age, but grow young.
So all my powers have disappeared
and have died.He who is unminded has no cares.Then whosoever has disappeared
and has found a darkness
is so rich without sorrow.Thus the dear fire
has consumed me,
and I have died.
He is thus unminded has no cares.
-trans. Martin Buber

I love this concept: "I am decreated". Such a beautiful way of expressing the via negativa. We come into this world with all kinds of expectations and feelings, so many ideas about the way we want things to turn out or what we want to create. "I am decreated". I surrender myself back into the womb of God to a place before expectations existed so that those expectations cannot define or control the act of creation. This is the place of Pre-Existence, of Nothing which gives birth to everything. "Since I am thus lost in the abyss I no longer wish to speak, I am mute." I am mute so God can speak. This is sensational."He who is unminded has no cares".This is poem charts the process the spiritual artist must undergo to truly become a doorway for fecund stream Divine creativity to enter into this physical world. We must be "decreated," emptied of self so that we may be filled with something much greater than our small selves could ever envision.

Detachment & Completed Artwork

Neolithic VesselI brought my work today to show a spiritual master whom I deeply admire. I was hoping he would react with praise. (Of course!) I’ve known this man for quite a long time and believed as he looked at the pieces, that he liked them. But that is not what he said. He said, “I don’t know if these pieces are good or bad. What I can tell is that something is processing through you and is captured in this piece.” He went on to tell me that it is important not to be attached to other people's opinions of my artwork.From this, I understood that I am a vessel which captures Creative energy, processing it as I bring it into physicality. My art is not me, it is something that pours through me. If I could truly comprehend this it wouldn’t matter what anyone said to me about my artwork, good or bad. I would understand that my work is only in process. The effect and "success" of my work is not up to me, because the artwork is not me. I must leave my work in the same Divine hands from which passed it to me in the first place.

How freeing is that!

Sister Wendy, Plotinus & Beauty in Art

Yesterday there was a fascinating interview with Sister Wendy on The Huffington Post. I want to highlight two things she said. The first relates to praying in the tradition of the via negativa. When asked how she prays, Sister Wendy says:

I go about it as I think everyone should go about it. I look to God and let him love me. Prayer is God's business, not everyone's business. That's where mistakes are made: people think they're responsible. Just be quiet and let God draw you into his peace.

Beautiful! The second interesting quote regards finding the Divine in art:

When I realized that one could talk about the beauty of art and so show people the beauty of God without using a word that might frighten them...People that don't believe in God are in contact with him when they are looking at him, at beauty. God is found in all art. Ballet dancing, hunting scenes, Carraveggios. Wherever you've got this great power of beauty, you've got God.

That’s an interesting way of looking at it. The mystical tradition would say that there is nothing which is not God. God is present everywhere (see my post on this here) even in a scrap of discarded trash. But I think Sister Wendy is getting at something deeper here, things that are "traditionally" beautiful can open a closed soul in a gentle way. There is value in gentleness.This is not to say all art should fit traditional norms of beauty (if such a thing exists).There can be great beauty in pain and sorrow as St. Francis teaches us with his rose scented stigmata. If my goal is to bring a greater experience of the Divine into world, it must by necessity be done with beauty because the Divine is Absolute Beauty. All beauty reflect Beauty. As Plotinus says:

When one discerns in the bodily, the Idea that binds and masters matter of itself formless and indeed recalcitrant to formation, and when also detects an uncommon form stamped upon those that are common, then at a stroke one grasps the scattered multiplicity, gathers it together, and draws it within oneself to present it there to one’s interior and indivisible ones as concordant, congenial, a friend….- Plotinus, Enneads I, 6 Beauty

Here, the “Idea” is form that gives existence to physical matter. For Plotinus form is emanated directly from the Divine and therefore the entire material world is united, bound together by true and absolute Beauty. The trick for artists is how deeplywe move toward uncovering absolute Beauty, how much can we polish the mirror of the world.

Vijay Kumar: My Etching Teacher

Today was a great day in etching class mainly because I got so much help from my teacher Vijay Kumar. Making the plate is the easy part; printing is a whole other story. I understand it completely on an intellectual level but, as usual, my mind fools me into thinking I know what I'm doing when I really don't. The physical is a whole different process from the mental. And I definitely haven’t even begun to master it. Vijay is an excellent teacher and a wonderful artist. See his print below.



It is such a blessing to have the eyes of other artists to push you further and more deeply into the creative process. I’ve worked in isolation for a long time and my interactions with the other students in the class and with Vijay are like honey. They are moments of sweet connection which allow me deeper access to the Divine well of creativity from which all art springs.

My Annunciation

I have been inspired by so many who have shared their own mystical experiences, Hildegard of Bingen, Alex Grey, Meinrad Craighead, & Gartenfische to name a few, to share my own. I share this experience because it has everything to do with why and how I make my art and live my life.In college, I had the good fortune to study in Florence. I was inundated, saturated with the energy of the Divine which is captured in those works of art & churches. I had never experienced such intensity before. I became particularly enamored of a Madonna & Child painting in a small shrine made in a former grain market, called Orsanmichele. The building was constructed around an open-air grain market where several healings had taken place which were attributed to the Virgin Mary. I visited this painting of Mary almost everyday for months and when I returned home I continued to pray to her.One day when I was visiting my family, I had pulled the binds down in my old room and lain down on the bed to pray. I was holding a Mary medal which I used to wear around my neck and facing my old bookcase. I prayed for a long time running my fingers across the medal's ridged surface when suddenly felt I was being watched. I opened my eyes and there was Mary’s head suspended over my stomach (my womb). I knew I was her without doubt. She was dark skinned and mysterious, the earth mother. I gasped and heard a loud pop. Mary disappeared and at the same moment I was filled utterly with a flash of blue light.

Annunciation, Etching by Sybil Archibald

When the flash passed, my eyes were swimming like they do when exposed to something too bright. I noticed floating in my field of vision, a short dark column. It was the same experience as staring into a light bulb and upon looking away seeing dark dots float before you. I thought it was strange, such a distinct shape. So I got up and went to where the light had seemed to come from & where the shape also seemed to be coming from in my old bookcase which I hadn’t really looked through in years. There, wedged between two larger books and pushed slightly back so it was out of sight was a small (about 4”x 2.5”) black leather New Testament with gilt edges. Its spine was the exact shape and size of the dark mark floating around in front of my eyes. I knew with complete certainty this was where Light had come from. I had had no religious training at all. The only time I had every opened this Bible was when my Dad gave it to me at least 10 years earlier. At that time, I had opened it randomly and read just St. Luke’s description of the Annunciation.It took me a long time to put together the fact that I had experience an annunciation of sorts although I only painted annunciation scenes for years after that. In my paintings, I always showed Mary as experiencing incredible fear. (See my early wood cut above. Sorry for the poor quality picture!) On the day I received the Light, the blue Light of creativity, I was given the job of being a vessel for this Light to enter into the world. This is a fearful task and I wasn’t up to it. I believe that is why I have been gifted with my illness, scleroderma- to prepare me for this sacred task. Having scleroderma has cleansed me of anger, bitterness & depression. Having scleroderma has taught me to be empty and surrender, although there is still much more to learn on that front! I pray to my Source everyday that I might be able to be a true vessel for the Light. Now my depictions of annunciations are no longer filled with fear.This blue Light within is like a baby, it needs to be nurtured and cared for, protected and fed. This is the job of artists. Perhaps some might think artists are selfish or self-centered. Really they have turned inward to nurture this Light so that it may be infused into the world.

Via Negativa in Poetry

Here are some poems I love on the via negativa, finding God in absence. For more posts on this look here:Rumi:

I have lived on the lip
Of insanity, wanting to know reasons,
Knocking on a door. It opens,
I’ve been knocking from the inside!
-Rumi (trans. Coleman Barks & John Moyne)

Silesius:

God, whose love and joy
Are present everywhere,
Can’t come to visit you
Unless you aren’t there.
-Angelus Silesius (trans. Stephan Mitchell)

Lao Tzu:

The Tao that can be told
is not the eternal Tao.
The name that can be named
is not the eternal name.
The unnamable is the eternal real.
Naming is the origin
Of all particular things
.Free from desire, you realize the mystery.
Caught in desire, you see only the manifestations.
Yet mystery and manifestations
Arise from the same source.
This source is called darkness.
Darkness within darkness.
The gateway to all understanding.
-Lao-Tzu (trans. Stephan Mitchell)

A couple quotes from The Unveiling of Love by Sufi Sheikh Muzaffer Ozak Al-Jerrahi:

(On affection toward God) …it is possible by letting oneself fall like a drop into the ocean.
As for those who are annihilated in God, it is absolute certainty that they will exist forever.

The last quotes are borderline negative/affirmative way, but they are so beautiful...