egg head, Monotype of the Day #894

Day 162 of year 3 (Day 894)

7 days of this project to go. Yesterday I got in my head a bit so today I tried to stop grasping an allow more space. I'm just going to breathe and let this image be.

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For more information about the process of monotype and the Monotype of the Day project click here.  

egg head, Monotype, 12 x 14” Sybil Archibald

egg head, Monotype, 12 x 14”
Sybil Archibald

incubation, Monotype of the Day #892


Day 160 of year 3, Total project days 892

“And I am the egg that surrounds and nurtures the seed of the God in me.”
-Carl Jung, The Red Book

Today I woke up with my head full of ideas for new projects. I got out my idea sketchbook which I haven't done for a while. It feels good.

For the first 24 hours after posting, this piece is 10% off and can be purchased here.

For more information about the process of monotype and the Monotype of the Day project click here.  

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rising, Monotype of the Day #797

Day 65 of year 3

Lately I've been making a real effort to get out into nature on a regular basis. It's something I haven't done consistently since I was a child and it's changing me. Each trip feels like dust falling from my eyes. My vision is clearer and I definitely feel more grounded. Sometimes when you feel a little blocked up like I have this last week, the best thing to do is get out of your head and clear the mind. One of the things that has been frustrating me is the small size of my printing plate. My experiments at going larger have all been failures. Today it dawned on me that I need to make my own plates out of gelatin. I'll start with small-sized tests but I'm hoping to be able to get really large with it. We shall see, I've ordered the supplies. It's at times like these that I really do miss my studio assistant because some things are challenging because of my physical limitations. I've learned to have patience though. I do what I can and try to find creative workarounds for the rest. If I absolutely can't figure out how to do something, I remind myself that all things have their proper time. I trust that time will come and, while I am waiting, I turn my process to something else. One foot in front of the other and eventually all will be done.

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you must grow & you can grow (ghost print) Monotype of the Day #789

Day 57 of year 3

"You must change you life" is the final line of tonight's poem, Archaic Torso of Apollo by Rilke. After I named the first print it immediately came to mind. It's about a damaged sculpture of the Greek god Apollo. Although it doesn't exactly fit this piece, I've always loved the poem because it reminds me that there can be great power in brokeness. The speaker in the poem experiences this power and feels the call to transform. A variation of the last line, "You can change your life", has been my motto for many years. My deep belief in this idea, confirmed by my life and supported by my studio practice, has gotten me through some very difficult times. The circumstances of the external world sometimes, probably often, can not be changed but the inner world is always ripe for transformation. True and lasting change in the external world most often comes from healing the inner landscape. When our inner relationship to a situation changes, even though nothing in the world has shifted, everything feels different. These prints are depictions of change and growth in my inner world. (Poem below the title)

Archaic Torso of Apollo By Rilke, Trans Stephen Mitchell

We cannot know his legendary head
with eyes like ripening fruit. And yet his torso
is still suffused with brilliance from inside,
like a lamp, in which his gaze, now turned to low,

gleams in all its power. Otherwise
the curved breast could not dazzle you so, nor could
a smile run through the placid hips and thighs
to that dark center where procreation flared.

Otherwise this stone would seem defaced
beneath the translucent cascade of the shoulders
and would not glisten like a wild beast's fur:

would not, from all the borders of itself,
burst like a star: for here there is no place
that does not see you. You must change your life.

From Selected Poems: https://amzn.to/2Zfc1an

will you unlock?, Monotype of the Day #695

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Day 325 of Year 2 (Actually Day 330)

Poem below the title. I posted this poem before but this image recalled it strongly for me. This print is about the internal work that is necessary to support change in the external world.

Say I Am You
by Rumi, Trans Moyne & Barks

I am dust particles in sunlight.
I am the round sun.

To the bits of dust I say, Stay.
To the sun, Keep moving.

I am morning mist, and the breathing of evening.

I am wind in the top of a grove, and surf on the cliff.

Mast, rudder, helmsman, and keel,
I am also the coral reef they founder on.

I am a tree with a trained parrot in its branches.
Silence, thought, and voice.

The musical air coming through a flute,
a spark of a stone, a flickering in metal.

Both candle and the moth crazy around it.

Rose, and the nightingale lost in the fragrance.

I am all orders of being, the circling galaxy,
the evolutionary intelligence, the lift,

and the falling away. What is, and what isn't.

You who know Jelaluddin, You the one in all,

say who I am. Say I am You.

From Say I am You https://amzn.to/2AaOA8D

emergence & emergence ghost, Monotype of the Day #694

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Day 324 of Year 2 (Actually Day 329)

I put a little too much ink on tonight. I has been raining a lot here and it is very humid. When that happens you definitely have to use less ink. Art materials are very effected by the weather and if you're not paying attention, it can cause a lot of trouble. I liked my first print tonight but everyone else here preferred the ghost. What do you think?

keyhole, Monotype of the Day #662

Day 292 of Year 2 (Actually Day 297)

This is, again, ink rolled over last night's left over (ghost) ink. I got lucky and found some more torn paper in a drawer. It was too thin for my old ink so it put it away and forgotten. But I've since change my ink, the paper works just fine. In fact, it seems to pickup more of the subtleties. Hopefully I can figure out what kind of paper it is because I like it. Last week was a bit rough outside of the studio, everyone here was peckish. Understandable under these circumstances. But in keeping with the cyclical nature of the world, things have eased and the week is starting on better footing. Part of life is staying through the downs and trusting in the cycle. Nature teaches us that for every winter there is a spring. My love to those who are sick or suffering.

come
by Rumi, Trans by Nader Khalili

come
let's fall
in love
again
let's turn
all the dirt
in this world
to shiny gold

come
let's be
a new spring
a love reborn
find our aroma

from the essence
of all who
emit heavenly fragrance
like a fresh tree

bloom and spread
all the blessings
right from inside

From Rumi: Fountain of Fire https://www.amazon.com/exec/obidos/ASIN/1889625035

Found on the truly wonderful website PoetryChaikhana.com https://www.poetry-chaikhana.com/Poets/R/RumiMevlanaJ/come/index.html

the edge of night, Monotype of the Day #661

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Day 291 of Year 2 (Actually Day 296)

I mixed a color tonight that has a good amount of white in it. The white seems to have blocked a lot of the under (ghost) layer and also doesn't have the depth of the inks without white mixed in. Lesson learned. Every image that fails in someway is a doorway. There are a lot of failures in studio practice, some true failures and some perceived by the artist alone. It is so important to understand that failure is a vital, beautiful part of the process. Understanding this is like grease for your gears. It keeps the creative spring flowing instead of stopped up by disappointment.

Quatrain 1115
By Rumi, Trans Colman Barks

The minute I am disappointed, I feel encouraged.
When I am ruined, I am healed.
When I am quiet and solid as the ground, then I talk
the low tines of thunder for everyone.

From Open Secret, Versions of Rumi https://amzn.to/2YvQsm8 (A really wonderful collection)