A small excerpt from Sunday's artist roundtable from the show Windows on Heaven: Contemporary Icons. I speak from 4:43 on how my sculptures relate to Icons and how taking Icon painting classes at the School of the Sacred Arts influences my work. (The sound is a bit off for the first minute or so but it gets better) It was an honor to be included in this show! Link for email subscribers: https://www.youtube.com/watch?feature=player_embedded&v=dXF3j-VyVk8
On Beethoven
Beethoven: Listening to God's Heartbeat
Sometimes I am so terribly tired of being sick, of laying in bed while other people take vacations and walks, while they go to shows and out to dinner. I feel like stone in a river while life rushes by me. I want to scream, to tear my hair out, to throw myself from a window and end this prisoner’s life. But then I think of my beautiful husband and son. I feel their deep and abiding love and I know I must soldier on. They make me remember what is good and why I am here. But there are some days I still wonder how am I supposed to go on.That's when I think of Beethoven. Beethoven who lost the world of sound so essential to a composer. Losing your hearing as a composer must be something like losing your sight as a painter: an unimaginable, potentially spirit killing loss. But it didn’t kill him. He endured his loss and many other ailments to produce music that is filled with Light, not clothed in the darkness of his illness. His music heals and lifts up its listeners. It surrounds, embraces, and fills us with love. But he had to transcend his pain to get there. In a letter to his brother, he wrote that his hearing loss:
… brought me to the verge of desperation, and well-nigh caused me to put an end to my life. Art! art alone deterred me. Ah! how could I possibly quit the world before bringing forth all that I felt it was my vocation to produce? And thus I spared this miserable life — so utterly miserable that any sudden change may reduce me at any moment from my best condition into the worst. It is decreed that I must now choose Patience for my guide! … This is no slight trial, and more severe on an artist than on any one else. God looks into my heart, He searches it, and knows that love for man and feelings of benevolence have their abode there! Oh! ye who may one day read this, … , and let any one similarly afflicted be consoled, by finding one like himself, who, in defiance of all the obstacles of Nature, has done all in his power to be included in the ranks of estimable artists and men. Beethoven’s Letters (1790-1826), translated by Lady Wallace, pp. 45
His art is what kept him going through all the darkness. I understand because art also keeps me going. Beethoven is an exemplar to all struggling artists. He inspires me to keep going. My sculpture, praises his great efforts and perseverance in the face of such enormous limitations. In my dark and desperate times I think, someone stayed the course and brought Light from darkness, maybe I can too.Sometimes I wonder if Beethoven needed his illness to produce the work he did. He listened through unstoppable ear ringing blocking out the world and heard deep and true silence. In that silence, he heard God’s heartbeat and translated it for the human ear.This accomplishment of Beethoven's is my goal too. Art is my way of seeking the Divine. By journeying toward the source of all creativity, I hope to leave tracks for others to follow as Beethoven did. Any contact with the "Divine Artist", touches the deep well of generative creativity that cannot help but be healing. My greatest desire is to create art that is healing for its viewers. To heal through art is a lofty goal that I may never reach, but Beethoven spurs me on in art and life. When I paint or sculpt, I find all my feelings of despair evaporate and there is only now, this present moment where everything is good and I am. Bless you Beethoven where ever you are.
On Process, Sculptures and Kindness
Alleluia-Verse for the Virgin
Alleluia! lightburst from your untouched
womb like a flower
on the farther side
of death. The world-tree
is blossoming. Two
realms become one.
-Hildegard of Bingen(Trans. Barbara Newman from Women in Praise of the Sacred)
The Egg Cracks
When I make art, I am seeking the Void or the womb of God, a place Hildegard describes so beautifully as the nexus where "two realms become one". The last several years have brought me a much needed emptying process creating space in my life for this sacred nexus to flourish. I have been laid open and unclogged by making art. Making art cleared me and making art connects me with the Void. It is a form of deep, committed prayer.This is the story of my opening told through my sculptures. I started as an artist sculpting in clay at the age of four, but left the medium for 20 years. Upon my return a few years back, I made very controlled sculptures like The Egg Cracks (seen to the left.
Like an egg, I was slowly cracking open- excavating a space for the Divine to enter. But as I created, I felt stuck. I didn't feel that deep freedom which connecting to the Divine creative flow brings. I was controlling the process too much.To loosen my grip, I began a series called the "The Act of Creation". These pieces are about surrendering to the moment of creation without judgment. It was important for me to create without expectation of the outcome, to surrender product for process. I entered into the Void and mingled with the Divine creative energies there. Thus I acted on this clay only by instinct and stopped in the moment I felt this internal flow of creativity recede. As a vessel, I felt the creative energies within me merge into matter and I felt it as a physical sensation deep within my body. These pieces are a captured instant of the creative process made concrete and a record of, perhaps, my most intimates moments in the arms ofTthe Artist. Here are just a few from this series to the right.
Making these pieces completely opened me up. Suddenly I had ears, finally The Artist had come and gently slipped me on like a glove. My current "Mystical Vessel" series, sculptures of mystics who profoundly influenced my spiritual development, could not have happened without this experience of letting go. The first three pieces from this series are below: The Pregnant Virgin, Hildgard of Bingen and St. Francis He is in process and needs arms....Making art in this way, deeply connected to Divine flow of creativity, is an adventure, a riotous ride into the unknown. Like a whirling dervish, I spin into hidden realms and it is sweet compensation for a body confined by illness. Which is why, despite everything I have been through, I am profoundly grateful for the infinite kindness of God.
The Pregnant Virgin Mary
Annunciation
We know the scene: the room, variously furnished,
almost always a lectern, a book; always
the tall lily.Arrived on solemn grandeur of great wings,
the angelic ambassador, standing or hovering,
whom she acknowledges, a guest.But we are told of meek obedience. No one mentions
courage.The engendering Spirit
did not enter her without consent.God waited.
She was free
to accept or to refuse, choiceintegral to humanness..
I recut the video of my pregnant Virgin Mary sculpture. I think it's a lot better, much more informative. it also includes some of my etchings and woodcuts of the Annunciation. I hope you like it!
Rose from my garden
Happy Earth Day!
A beautiful and blessed Earth Day to you. Today I am honoring the earth by working with clay. What are you up to?I am also thinking about my garden up north and how I formed a deep connection to that soil and how much beauty and joy was offered in return. I cherished that land and it loved me back. I felt it and saw it. I wish that everyone could experience that sense of harmony and belonging to a place. I believe much of the mindless destruction of our planet would be reversed with this experience of mindfulness.Here are some pictures from last summer. I'm sorry about the spill over into my sidebar, but I'm anxious to embrace my clay and don't want to use this precious day on resizing pictures!
I'm sad to have left this garden that was nothing but a weedy patch of grass when I found it. I feel it waking and I am not there to tend it. So instead I'm turning to clay, temporarily my own patch of earth to tend, as it passes through my hands in transformation. I am entering into a conscious relationship with earth itself, a dialogue.
Here are 2 older posts on the relationship between the earth & spirit. This first is by Gartenfische (and is well worth a read for it beauty) and the second is mine.Viriditas. Venite, AdoremusThe Spiritual EarthHappy Earth Day!
On Clay
Clays are extraordinary, layered, crystal structures which have, built into them, what amounts almost to an innate tendency to evolve...Clay has plans.-Lyall Watson, from An Introduction to Clay Colloid Chemistry
I started as an artist at the age of 6 in clay. The altars (images below) I built from clay I dug directly out of the earth are some of the most satisfying pieces of my career. There is an innate connection between God and earth. Clay is a meeting place, a doorway to Heaven.I have been an avid gardener for years. I began to garden for the fragrance and color of flowers but now I garden for soil. It is easy to miss the Divine is the humble trappings of dirt. There is something about soil that is just afire with the light of God. It is the lowliest of things, we tread on it, ignore it, sweep it away, and yet it sustains us all. The soil pulses with life that we cannot or will not see. There is no more satisfying feeling than seeing what appears to be a barren, wormless plot of land transform into a teaming mecca of life.
Working with clay gives me the same satisfaction. Clay itself is very dense, like the material word itself. It takes effort to move it and to see in it the true reflection of the Divine. And yet it is responsive. There is something in clay that wants to grow and transform and which responds to that same impulse within the artist. Clay is a partner in the creative act, not a submissive servant.In the biblical story of the creation of man, God chooses to blow the breath of life into clay to create Adam. I have discussed this from the perspective of the gilder who must use breath, but the clay’s perspective is just as interesting.
That God chose clay to receive his direct kiss, should illuminate the central importance of Earth. By gardening or working with clay we engage the Earth. And if we empty ourselves and enter fully into the present moment something amazing happens. The artist becomes the physical vessel for Divine creative energy, holding it, that it may be translated into, fused with matter. The particular way in which an artist engages matter allows for greater concentrations of Macrocosmic energy to enter the world.But that is not all. All matter, to a greater or lesser degree has consciousness of its Source. Clay is like a sponge that actively seeks to draw in Divine fecund energy. It and Earth itself has its own active spirituality and deep connection to God.Contemporary theologian Thomas Berry argues this persuasively.
There is a spiritual capacity in carbon as there is a carbon component functioning in our highest spiritual experience. If some scientists consider that all this is merely a material process, then what they call matter, I call mind, soul, spirit, or consciousness. Possibly it is a question of terminology, since scientists too on occasion use terms that express awe and mystery. Most often, perhaps, they use the expression that some of the natural forms they encounter seem to be "telling them something".- Thomas Berry, The Great Work: Our Way into the Future, Page: 25
He also says:
“Gardening is an active participation in the deepest mysteries of the universe.”
Medieval theologian St. Thomas Aquinas wrote that
All things love God. All things are united according to friendship to each other and to God.
And mystics such as Teilhard de Chardin and Hildegard of Bingen see it everywhere:
Crimson gleams of Matter, gliding imperceptibly into thegold of Spirit, ultimately to become transformed into theincandescence of a universe that is person- and through all of this there blows, animating it and spreading over it a fragrant balm, a zephyr of union- and of the Feminine.The diaphany of the Divine at the heart of a glowing universe, as I have experienced it through contact with the earth- the divine radiating from depths of blazing matter.-Teilhard de Chardin
Hildegard of Bingen says:
God’s Word is in all creation, visible and invisible. The WORD is living, being, spirit, all verdant greening, all creativity. All creation is awakened, called, by the resounding melody, God’s invocation of the WORD. This WORD manifests in every creature. Now this is how the spirit is in the flesh--the WORD is indivisible from God.
Eden, 22k gold leaf and handmade paints on sheep skin parchment
So let us not discount the importance of our physicality and out Earth in a reckless attempt to find a higher spirituality. Spirit is not up there, it here in every atom and molecule, every glowing and vibrant speck of dust. Let us be present and embrace the bounty God has offered us by entering into the unceasing flow of Divine Creativity on Earth. By embracing the Earth we embrace the Divine.
