angel moon, Monotype of the Day #711

Day 341 of Year 2 (Actually Day 346)

This is the ghost from last night with several layers on top. In addition to this print, I did some experimenting today. I want to work larger so i tried to print off my plexiglass table and it was a miserable failure! :) I suspected it might be. In order to print off a hard surface, you really need a printing press. Discovering Gelli plates ( a soft plate I used to make today's print) changed my life because I could finally print at home. But of course, I now want to expand. I am keeping my ears open. I know would not have this calling if it were not possible. There is a way, I just have to discover it. Wish me luck! xo

gestation, Monotype of the Day #656

Day 286 of Year 2 (Actually Day 291)

I've been spoiled by having a studio assistant for many years to help me with things that are difficult for my hands to do like tearing paper, making paper clay, and cutting mat chips. I believe I used my last piece of torn paper tonight and all my studio-made materials are running low. I've been working one way for a long time. Obviously, no one can come to my studio for a while so here is a chance to get out of my easy comfort zone and see what happens. I'm looking at this as an opportunity instead of a reason to be cranky. I hope my brain and mood will cooperate! 😊 My love to all those who are sick or suffering. xo

interested parties, Monotype of the Day #473

Day 107 of Year 2 (Actually Day 108)

I'm getting quite interested in these three figures. I want to know them better. There is an air of something important but it's a complete mystery for now. This is the kind of thing that really gets me going. Some sort of intrigue to warm the blood. It's a happy coincidence that it's finally cold enough to pull out my favorite Sherlock Holmes hat. 🙂 The game is afoot!

gestation, Monotype of the Day #408

Day 43 of Year 2

Have patience, have patience. Everything has it's own time. Something is brewing. Waiting for things to unfold is part of a healthy studio practice. Sometimes it seems that time is wasting away only to find later that it was just a gestation period and all that angst was for naught. Have patience. I say this for my own benefit. Have patience.

This work is paired with "Commentary Inflection: Invented Form" by Jane Hirshfield.

Read it here: https://sharonsinger.ca/poem.php?poem_id=76

From Given sugar, Given Salt

inner landscape, Monotype of the Day #371

371.jpg

Day 6 of Year 2

This week has been incredibly busy, very little empty time. It's so hard to work without that silence in my life. Next week I am going to slow things down, without that space its really hard for the creative flow to get in. I have the feeling that I haven't fully honored my sacred contract to work this week. It's not just about being in the studio, it's also about caring for yourself so when you work you are present and ready. I know it's not my job to judge my own work, but I feel this week's prints reflect the lack of space.
I didn't start this monotype until about midnight so there's no time to rework it. I really love the concept, but I haven't hit it yet. There's a feeling I get when an image a right that I don't have. I'm not a huge fan of this flesh tone either. I almost never use it. I think I will try a different approach tomorrow. This print is much bigger than most of my others. I included a pencil for scale.


Praise Them
by Li-Young Lee

The birds don’t alter space.
They reveal it. The sky
never fills with any
leftover flying. They leave
nothing to trace. It is our own
astonishment collects
in chill air. Be glad.
They equal their due
moment never begging,
and enter ours
without parting day. See
how three birds in a winter tree
make the tree barer.
Two fly away, and new rooms
open in December.
Give up what you guessed
about a whirring heart, the little
beaks and claws, their constant hunger.
We’re the nervous ones.
If even one of our violent number
could be gentle
long enough that one of them
found it safe inside
our finally untroubled and untroubling gaze,
who wouldn’t hear
what singing completes us?

xoxo

the swim, Monotype of the Day #320

My new gold ink is really lovely. Sadly, the photo doesn't capture it fully. For many years I used real 22k gold leaf in my work. The symbolism of gilding (the process of applying gold leaf) is fascinating. When studying Russian Icon painting, my teacher told us gold represents humans in their perfected spiritual state, reflecting divine light back into the world. The goal is to make the gold applied reflect light to perfectly like a mirror. Not an easy task! When applying gold to an icon, first a bed of clay infused with glue is put down and allowed to dry completely. The clay represents Adam, humans in their rough, unformed state. To reactivate the glue after it dries, you breath a warm hot breath with intention onto the clay. This represents God blowing the breath of life into Adam. Then the gold leaf is gently pressed onto the lightly remoistened surface. If you have centered yourself and surrendered completely to the present moment, the gold should adhere. Any place where the gold doesn't stick is said to be the ego fighting for control. It is a truly fascinating and often frustrating process! 😊 The gold in this piece is ink, not leaf, but the weight of this tradition and symbolism floats around in my head and informs any use of gold in my work. I'm really excited because it also gives me the chance to post another beloved poem by Dorothy Walters.

A Cloth of Fine Gold
by Dorothy Walters

You may think
that first lit flame
was the ultimate blaze,
the holy fire
entered at last.

What do you know of furnaces?
This is a sun that returns
again and again, refining, igniting,
pouring your spirit
through a cloth of delicate gold
until all dross is taken
and you are sweet as
clarified butter
in god's mouth. ----
Until tomorrow. xoxo