The Binding of Isaac

Love came and emptied me of self,
every vein and every pore,
made into a container to be filled by the Beloved.
Of me, only a name is left,
the rest is You my Friend, my Beloved.
-Abil-Kheir (967 - 1049)

The Binding of Isaac, 22k gold leaf and handmade paints on parchment

The Binding of Isaac, 22k gold leaf and handmade paints on parchment

I am in the process of updating my art website and I wrote this about a couple pieces I did on the Binding of Isaac. I thought you might enjoy it:The Binding of Isaac is a story that I have wrestled with for many years. When I first came to it, was overwhelming in its injustice. But now I understand that this is a story, not of God's cruelty, but of God's infinite love and kindness toward humanity. It is also a story of the power of surrender.The Binding of Isaac is about being in an impossible situation, something that is so terrible that we think we cannot face it. This is a common human experience. It is not a question of the justice or injustice of a situation, it is a question of how we face a situation we cannot change or escape. Can we trust the Divine forces in our lives or do we fight and struggle? I have been in this situation over and over again with my health, how do you accept the unacceptable? But I have accepted it and learned to surrender as Abraham did and just as Abraham was shown such compassion and kindness, so have I. The Divine desires us to be creative luminous beings and if we won't listen to this desire, the we will be forced to listen but in the kindest possible way that we can listen to. The act of surrender is the act of hearing God.The first piece is Abraham's Annunciation when he is told by God of his task. The second piece is the Binding of Isaac. There are two more pieces in this series to be completed, the moment Abraham puts the knife to Isaac's neck and the unbinding of Isaac. These pieces are in progress and will be posted. Spiritual meaning of material used: These pieces are on sheep skin parchment representing the ram that Abraham sacrificed. The 22k gold leaf represents the spiritual perfection achieved by Abraham in his of of surrender. The pigments are handmade, for the most part from stones and plants representing the mountain Abraham climbed for his sacrifice. I also used bone black a pigment made from charred bones to represent the ram.Image #1: Abraham's AnnunciationThe writing pouring into Abraham's head is the Hebrew text from the Bible.

Image #2: The Binding of Isaac

The Hebrew lettering around his wrists is the text from the Bible, translation on edge of the box.18"x14".

Image 1: The Binding of Isaac, Image 2:Abraham's Annunciation by Sybil Archibald

On the Courage to be Yourself

Debra Ann over at Tangled Stitch had a recent post about accepting yourself that really got me thinking. Here she is talking about Thomas Moore's Dark Nights of the Soul:

Well I am up to the chapter on Temporary Insanities and I think this is the chapter that best describes me at this time in my life. I have to decide whether I am willing to accept the eccentricities of myself or whether I am going to hide them. This one sentence made me cry" Without the zany persona, you might be condemned to darkness, and that would be a tragedy". End quote first paragraph Page 259.

I got to thinking about how much I modify myself to please others and how it shuts down my creative process. Then a friend sent me the inspiring video below of Vanessa Hidary "The Hebrew Mamita". I find that I can't stop thinking about it. The video is a little off my main topic in subject matter (confronting prejudices), but bear with me. It's more than just the importance of confronting prejudice. Hidary displays a radical acceptance of herself, an absolute and fearless facing of who she. And she defiantly displays it to the world. Her abandon is truly breath taking and courageous. It's an inspiration. Watch this and imagine if you felt this way about yourself what kind of work you would allow yourself to make; what kind of nourishment you would provide the world.

Reading up on Spiritual Artists

Alex Grey painting

I’ve decided to expand my reading list. I'm never going to abandon the succor of the medieval mystics, but I just ordered a dozen books by and on modern & contemporary spiritual artists. The first to arrive is Alex Grey’sThe Mission of Art. Grey is an interesting artist who charts the spiritual energies of the human body in a very technical way (see image on right). His work has value and power, but much of it seems very cerebral and controlled. I don’t believe God can be controlled so I am excited to see what he has to say. I’ll report promptly, but for now, he begins his book with this amazing quote from Beethoven:

There is no loftier mission than to approach the Godhead nearer than other people, and to disseminate the divine rays among humanity.

Beethoven’s work is so clearly suffused with the Divine. However, I've always questioned the metaphor of traveling nearer to the Godhead. The early Kabbalists used this idea interestingly. They meditated on the chariot of Ezekiel to make the mystical ascent to God. I guess because I suffer from over thinking this metaphor, beautiful as it is, engages my brain too much. I would rather say removing the veils or polishing the mirror to reflect the Divine more clearly. How’s that for cheek- arguing with a genius!

The Moonlight Sonata:

Jewish Mysticism & The Veil of Pain

Man is too weak to accept or absorb divine love, which is absolute. For that reason, and that reason alone, does God cover it with the veil that is pain. - Rebbe Zusia (pg. 113)

I’ve been continuing my rereading of Lex Hixon’s writings. This quote is from an essay entitled The Landscape that Laughs in Coming Home: The Experience of Enlightenment in Sacred Traditions by Lex Hixon about 18th century Jewish mystics. It’s wonderful if you ever have chance to read it.

The concept of pain as a veil to God’s light is extraordinary. The whole world is veil to shield us from the intensity of God’s light, but in this essay Hixon explain something amazing:

Zusia speaks of our suffering or pain as a Divine veil but suffering also removes the human veils by which we have obscured the Divine Life living through us. The soul master accepts suffering to unveil the intrinsic freedom of the soul. (p. 114)

There are two actions working here: humans protecting themselves from the Divine and the Divine protection of humans. Humanity resists Divinity out of fear. We refuse to follow Divine guidance; we act without honor; we choose smallness over change. Those actions are the veils we create to resist the chaos of Divine Reason. Hixon explains through Rebbe Zusia that the painful experiences in our lives act in a two fold way to clear away our internal blocks to God while still protecting us from complete annihilation in the brilliance of the God Head.

I see the beauty and truth in his point. In my own life pain has transformed me, made me softer, more open, more able to love & to create art. But I do quarrel with his terminology here. He uses pain & suffering almost interchangeably. To me, these are quite different terms. Pain is the nature of the human condition. I do not believe suffering is, suffering can be transcended through acceptance of pain. It is resistance which causes suffering. Suffering is a human veil. Pain is a Divine veil.

Are you only as good as your last piece?

illum_bindingofisaac.jpg

The question as asked in Gloria Dean's Blog is interesting to think about, but I believe this is question misses the true point of making art. Art is not about our own assessments of good and bad, it's about the work's relationship to world and its viewers. It is next to impossible for an artist to judge the true purpose or quality of their own work.

Case in point, several years ago I painted a piece about the Binding of Isaac. It is the moment Isaac hands are bound by his father for his sacrifice. The decision to paint the rope tying around his hands as actual Hebrew words from the Bible was automatic. I went through a period of illness, the painting lay abandoned, then judged by me as not so hot. Some time later I had the painting in a gallery and a woman in a wheelchair came in. She was in an almost reclining position. She had oxygen pumped to her nose, and she seem to only have movement in her arms and head. Her wheelchair was electric and she was determined to get into the gallery by herself. She wasn't going to be bound by her illness. I watched her struggle as she finally made it in, immediately drawn to my painting. I could see something in her body language shift as she looked at it.She told me part of her story: she was an ultra-orthodox Jew who had left her faith. Something out the Hebrew lettering and the image spoke to her about her illness. I don't think I've ever had someone understand my own work on a level so much deeper than my own understanding before. By seeing her reaction I received new meaning for the painting which helped me understand my own illness. Clearly, I had made this work for her and never known it. She said it helped to ease her. Sometimes we must surrender to our bonds to achieve freedom.By judging our own work & keeping locked away, we not only block ourselves but block the Divine. Our paintings and works of art can be portals for the creative flow of healing energy into the world. If we are truly creating, it's not coming from us, but through us. We are the filter through which light can pour. A filter is necessary for otherwise, the light would blind us. This is an awesome gift and responsibility- the responsibility not to judge. Even a piece, which by traditional artistic standards may not be great, may have a greater purpose. We don't and can't know. It's up to use to be humble enough to allow the process to work through us.