Kandinsky's Concerning the Spiritual in Art

Princess Haiku mentioned Kandinsky's book on her blog and it got me thinking. Most of what the book says has no interest for me, except this:

But to a more sensitive soul the effect of colours is deeper and intensely moving. And so we come to the second main result of looking at colours: their psychic effect. They produce a corresponding spiritual vibration, and it is only as a step towards the spiritual vibration that the elementary physical impression is of importance. (p. 24, 1977 ed.)

I have always believed this. Artwork can create spiritual changes within a viewer and these changes have little to do with a piece's imagery or visual impact. But I would go further than Kandinsky. It's not just color that holds a spiritual vibration, it is the entire physical matter of the painting that can resonate. The physical materials of artwork capture the spiritual vibration of the artist.If an artist struggle with their work, they are really confronting the blocks they have to connecting to the Divine flow, the source of all creativity. When an artist sticks with it and is present to the block for long enough, no matter how difficult or painful that might be, that block will crumble and the artist will undergo a spiritual transformation. The energy from that transformation becomes embedded in their art. This energy then has the potential to resonate with and heal others.When I was practicing the art of illumination, I discovered creating art that effects on a vibrational level can go even further. Illumination was a sacred art in the medieval period. A major component of this art was the creation of art materials. By making art materials in a peaceful meditative state artists can create works of art that literally resonate with healing energies.

The Value of Artistic Peers

Sculpture in progress

Today I finished the sculpting of my first cracked woman. This picture doesn't really capture the piece well- especially the cracks. And, of course, glazing & firing will change everything.I had an extraordinary experience finishing it. I've been working for years on my own, most often in complete isolation. But to do ceramics, you must have a kiln, and I don't. So I'm taking a class at the New Jersey Center of Visual Arts. They have really nice facilities and it feels like real artist's studios, not just suburban moms with nothing to do which is what you find a lot of out here in NJ.So, I was finishing up and I didn't feel quite right about how the neck was working. I asked my classmate who had great insight into what I was doing and consulted the teacher as well. My piece is significantly better than I would have been because of these conversations. I'd forgotten the magic that happens between artists. It was a very meaningful experience for me and yet another reason for me not to hide my work away. These moments of deep connection are precious in life.Since this blog is new, this is my first experience of writing about a piece while it is in progress. My entry of a couple days ago helped me clarify my intentions with this piece in a very different way than I'm used to. I believe writing about it was akin to cleaning debris out of a pipe. My creative flow came more quickly and with increased intensity.

Are Pain & Angst Necessary for the Artist

The following is an excerpt from artist Alex Grey’s conversation with Ken Wilbur:

K:…Conventional art is an expression of the self or world as it is now. Transcendental Art expresses something that you are not yet but that you can become...Alex, that insight belongs to both of us.
A: That's why you feel better after producing it. Transformative art must express something beyond where you are, it demands that you grow beyond your current self. This is where an artist's angst and the pain of transformation coincide. You reach toward the true, the good and the beautiful and become a better person through the struggle.

This is an apt description by K. Wilbur and I understand where A. Grey is headed. However, I would take his point one step further. It has been my experience that at a certain point in the artistic journey, the “artist’s angst" in creation can fade away. In the beginning, when we engage the source of creativity, we try and control it. This is the source of angst & struggle. Once we surrender to the creative flow, pain & angst are no longer necessary to the creative process. There is still work to be done, but the work becomes less about our personal struggles and more about accepting the nature of what is. If we can accept that, without judgment or control, art will be produced with a joy and ease unimaginable to most. In the same way an enlightened person can face traumas and disappointments without pain and struggle, so an artist can open the door for the Divine transformation through their work without angst. That doesn't mean making art becomes easy, being present is probably the hardest single act a human being can undertake.

UPDATE: I would like to adjust what I said yesterday about pain & angst. Pain is an unavoidable side-effect of being alive. Angst & suffering are not. What I was trying to say is that artists need not suffer to create art, but they do need to feel pain because pain exists in all our lives. Being present to pain without trying to control it removes suffering and releases creativity. So my last post was slightly off-base. I should not have included pain only angst & suffering as unnecessary for artistic creation.It wonderful to find oneself wrong and have the opportunity to correct it... (without suffering!)

Lauren Ari, Artist

Lauren Ari Atomized Home

If you're in San Fransisco on October 26, check out the De Young Museum’s opening of The Diane and Sandy Besser Collection from 5:30 to 8:00 pm. One of my favorite artists, Lauren Ari, has work in the collection.Lauren works on the pages of a ninety year old Funk and Wagnell’s dictionary. It's delightful how the words peek through at critical points in the painting. She then sculpts what she has painted. To me this is an utterly fascinating concept. Her work reminds me of the process of energy forming into matter. Language (symbolized by the dictionary page) creates a channel, a form, for energy to enter into this word. Lauren's work charts how, from this humble beginning, creative energy rushes forth into the world as a dynamic living force. First, she captures the energy, snaps it almost like a photo might be taken, in her expressive paintings. Then it comes to rest fully formed, solid and real, in her jewel-like sculptures.